The Culture - a human/machine symbiotic society - has thrown up many great Game Players, and one of the greatest is Gurgeh. Jernau Morat Gurgeh. The Player of Games. Master of every board, computer and strategy. Bored with success, Gurgeh travels to the Empire of Azad, cruel and incredibly wealthy, to try their fabulous game...a game so complex, so like life itself, that the wi...(展开全部)

The Culture - a human/machine symbiotic society - has thrown up many great Game Players, and one of the greatest is Gurgeh. Jernau Morat Gurgeh. The Player of Games. Master of every board, computer and strategy. Bored with success, Gurgeh travels to the Empire of Azad, cruel and incredibly wealthy, to try their fabulous game...a game so complex, so like life itself, that the wi...(展开全部)

简介：当末日与游戏被画上等号，你能存活多久!

简介：无感情向架空设定，请勿当真对其他团队纯友情向架空设定，平行宇宙一个团队，几个女孩，从地下室把高楼筑起社长为了孩子们能出道不得不和把公司卖给了别人五个女孩子并不被重视，出道早期专辑不向海外出售，不给成员们宣传回归，即使出道曲有了名声，公司担心危及其他女团的地位，却又想挣钱，但随着另一个组合爆火，公司将此时身患脑癌的队长劝退女孩们都很茫然，队长走后，年纪最大的仅成年，她们一下陷入低谷期为了完成自己的理想，和带着姐姐的那一份走到世界舞台，女主重振旗鼓，而身为忙内的女主（宫行素）和仅剩的其他三个女生（全有桥、裴庆延和川上鮟友）担起了原本姐姐的重任，承担作曲作词，从无到有一步一步建起所有。

The Culture - a humanoid/machine symbiotic society - has thrown up many great Game Players. One of the best is Jernau Morat Gurgeh, Player of Games, master of every board, computer and strategy. Bored with success, Gurgeh travels to the Empire of Azad, cruel & incredibly wealthy, to try their fabulous game, a game so complex, so like life itself, that the winner becomes emperor...(展开全部)

The Culture - a humanoid/machine symbiotic society - has thrown up many great Game Players. One of the best is Jernau Morat Gurgeh, Player of Games, master of every board, computer and strategy. Bored with success, Gurgeh travels to the Empire of Azad, cruel & incredibly wealthy, to try their fabulous game, a game so complex, so like life itself, that the winner becomes emperor...(展开全部)

1990s South Korea saw the transition from a military dictatorship to a civilian government, from a manufacturing economy to a postindustrial hub, and from a cloistered society to a more dynamic transnational juncture. These seismic shifts had a profound impact on the media industry and the rise of K-pop. In K-pop Live, Suk-Young Kim investigates the meteoric ascent of Korean po...(展开全部)

1990s South Korea saw the transition from a military dictatorship to a civilian government, from a manufacturing economy to a postindustrial hub, and from a cloistered society to a more dynamic transnational juncture. These seismic shifts had a profound impact on the media industry and the rise of K-pop. In K-pop Live, Suk-Young Kim investigates the meteoric ascent of Korean po...(展开全部)